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Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
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My Family Cinema MFC Best online streaming platform Newest Movies TV shows
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Secrets of Cinema : 100 Movies That Are Not What They Seem
Over a century ago, a new form of storytelling emerged from the ruins of World War I.Different in scope and power from theater or literature, and unlike any film that had come before, Robert Wiene’s The Cabinet of Dr. Caligari addressed a direct challenge to its audience, demanding to be viewed as something other than what was immediately presented.Unfortunately, criticism has not risen to the challenge.Relegating the film condescendingly to the horror genre, or treating it merely as a case study in style, critics have failed to look at it with due seriousness.On the other hand, the film’s ambiguity, structural devices, and psychological depth gave cinema a number of tools that other filmmakers were quick to start using.This book examines a spectrum of narrative films that can be seen in new ways with methods derived and evolved from the techniques of Caligari.The intention is not only to offer new interpretations of classic and neglected films, but to open further discussion and exploration.It is written with optimism that movie lovers will see more in the movies they love, that critics will find new paths of investigation, and that filmmakers will benefit from greater awareness of what movies can do. Secrets of Cinema began in 1994, in discussions among friends after weekly movie nights hosted by the late Lawrence N.Fox on the 73rd floor of the John Hancock Center in Chicago.The movies selected are not necessarily the greatest ever made (although some of them surely are), but rather movies that offer new and useful lessons in how movies work. Among the secrets of cinema revealed in this book are at least three movies that are stealth remakes of The Wizard of Oz, hidden meanings behind films made under political repression, and why Hitchcock’s Psycho is a remake of his Vertigo.Persistent enigmas are clarified, including the logic of Persona, the riddle of Last Year at Marienbad, and the endings of Blow-Up and The Shining.More importantly, by showing how much there is to discover in movies, the book encourages its readers to continue in their own ways the quest to see movies whole.
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Fun City Cinema : New York City and the Movies that Made It
A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakersFun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012).A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and ephemera, as well as still-frames, behind-the-scenes photos, production materials from each film and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt.Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.
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Is there a streaming provider that streams the latest movies from the cinema?
Yes, there are several streaming providers that offer the latest movies from the cinema. Some popular options include Netflix, Amazon Prime Video, and Disney+. These platforms often have partnerships with major movie studios and release new films shortly after their theatrical release. However, access to the latest movies may vary by region and availability.
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Is streaming movies from the cinema legal or illegal?
Streaming movies from the cinema without proper authorization is illegal. This is because it violates copyright laws and intellectual property rights. The movies shown in cinemas are the property of the filmmakers and production companies, and streaming them without permission is a form of piracy. It is important to respect the rights of content creators and support the legal distribution of movies.
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Does anyone know good horror movies that are not splatter films?
Yes, there are many good horror movies that are not splatter films. Some examples include "The Sixth Sense," "The Others," "The Babadook," "The Conjuring," and "A Quiet Place." These movies focus more on psychological horror, suspense, and supernatural elements rather than excessive gore and violence. They are known for their strong storytelling, well-developed characters, and effective use of atmosphere to create a sense of fear and unease.
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Search for TV shows or movies that involve kidnappings.
Some TV shows and movies that involve kidnappings include "Prisoners" (2013), "Taken" (2008), "Gone Girl" (2014), "Room" (2015), and "Mindhunter" (2017-2019). These stories typically revolve around the investigation, rescue, or aftermath of a kidnapping, often delving into the psychological impact on both the victims and their loved ones. Themes of suspense, mystery, and survival are commonly explored in these types of narratives.
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The Films That Made Me...
'Like a pizza delivery driver who travels everywhere by moped, or a volcanologist who keeps turning the central heating up, I’m a film critic who loves going to the cinema.' - Peter Bradshaw.Peter Bradshaw is the film reviewer for intelligent, curious cinemagoers; he has worked at the Guardian for twenty years.The Films That Made Me collates his finest reviews from the last two decades, which carry with them his deep experience, knowledge and understanding of film. Introducing each section with a brief introductory article in his light, humorous tone, and ranging from The Cat in the Hat and the Twilight Saga to Synecdoche: New York, Bradshaw shares the films that he loved, the films that he hated, the films that made him laugh, cry, swoon and scared.His reviews range from the insightful and introspective to the savage and funny.A must read for all film fanatics.
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The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
This book explores the role that talent intermediaries, including talent agents, talent managers and producers, play in packaging, marketing and selling screen media products, services and brands by constructing and positioning their clients and collaborators as indie-auteurs.Exploring several case-studies across a range of screen media during an era of media convergence, including American indie cinema, high-end television, music video, advertising and branded content, the book explores the strategies that talent intermediaries adopt and the industrial, cultural and social connotations and hierarchies that indie-auteurism as a promotional discourse and tool carries and reinforces.As a result, the book stakes out new ground that complicates popular ideas of indie-auteurs as highly autonomous and innovative filmmakers by exploring how this authorial discourse migrates between media and is constructed and reconfigured in relation to changing industrial and cultural contexts.
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Renegade Westerns : Movies That Shot Down Frontier Myths
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Screening Big Data : Films That Shape Our Algorithmic Literacy
This book examines the influence of key films on public understanding of big data and the algorithmic systems that structure our digitally mediated lives. From star-powered blockbusters to civic-minded documentaries positioned to facilitate weighty debates about artificial intelligence, these texts frame our discourse and mediate our relationship to technology.Above all, they impact society’s abilities to regulate AI and navigate big tech’s political and economic maneuvers to achieve market dominance and regulatory capture.Foregrounding data politics with close readings of key films like Moneyball, Minority Report, The Social Dilemma, and Coded Bias, Gerald Sim reveals compelling ways in which films and tech industry–adjacent media define apprehension of AI.With the mid-2010s techlash in danger of fizzling out, Screening Big Data explores the relationship between this resistance and cultural infrastructure while highlighting the urgent need to refocus attention onto how technocentric media occupy the public imagination. This book will interest students and scholars of film and media studies, digital culture, critical data studies, and technopolitics.
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Are movies art or just entertainment?
Movies can be both art and entertainment. While some movies are created purely for entertainment purposes, others are crafted with artistic intent, using visual storytelling, symbolism, and thematic depth to evoke emotions and provoke thought. The distinction between art and entertainment in movies often depends on the filmmaker's intentions and the viewer's interpretation. Ultimately, movies have the potential to be a powerful medium that can entertain, inspire, challenge, and move audiences in a variety of ways.
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Are there similar movies to Scary Movie that make fun of other films?
Yes, there are similar movies to Scary Movie that make fun of other films. Some examples include the "Not Another Teen Movie" series, which parodies teen movies, and "Epic Movie" and "Disaster Movie," which spoof various popular films and genres. These movies often use satire and parody to poke fun at the clichés and tropes found in popular movies, providing a comedic take on well-known films.
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Is streaming movies illegal?
Streaming movies can be illegal if the content being streamed is copyrighted and the viewer does not have the proper license or permission to access it. Many streaming platforms, such as Netflix or Hulu, have obtained the necessary rights to stream movies legally. However, streaming from unauthorized sources or websites that offer pirated content is considered illegal and can result in copyright infringement. It is important to use legitimate streaming services to ensure that you are not breaking any laws.
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Is streaming movies legal?
Streaming movies can be legal or illegal, depending on the source of the content. Streaming movies from legitimate sources such as Netflix, Hulu, Amazon Prime, and other licensed streaming services is legal, as these platforms have obtained the necessary rights to distribute the content. However, streaming movies from unauthorized sources or websites that offer pirated content is illegal and violates copyright laws. It's important to ensure that you are streaming movies from legal and licensed sources to avoid any legal issues.
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