Products related to Recessive:
-
The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
This book explores the role that talent intermediaries, including talent agents, talent managers and producers, play in packaging, marketing and selling screen media products, services and brands by constructing and positioning their clients and collaborators as indie-auteurs.Exploring several case-studies across a range of screen media during an era of media convergence, including American indie cinema, high-end television, music video, advertising and branded content, the book explores the strategies that talent intermediaries adopt and the industrial, cultural and social connotations and hierarchies that indie-auteurism as a promotional discourse and tool carries and reinforces.As a result, the book stakes out new ground that complicates popular ideas of indie-auteurs as highly autonomous and innovative filmmakers by exploring how this authorial discourse migrates between media and is constructed and reconfigured in relation to changing industrial and cultural contexts.
Price: 75.00 £ | Shipping*: 0.00 £ -
FilmQuake : The Most Disruptive Films in Cinema
Discover films that dared to be different, risked reputations and put careers in jeopardy.This is what happens when filmmakers take tradition and rip it up. FilmQuake introduces 50 movies that shook the cinematic world, telling the fascinating stories behind their creation, reception and legacy. From unbelievable developments in technology (Citizen Kane, 1941) to feminist triumphs (Wanda, 1970); films that kickstarted New Queer Cinema (Paris is Burning, 1990) to others that challenged lawmakers (A Short Film About Killing, 1988) – FilmQuake presents the movies that questioned boundaries, challenged the status quo and made shockwaves we are still feeling today. From film's first innovators, people like the Lumière brothers, whose short film of a train arriving was reported to have terrified audiences in 19th century Paris, through iconoclasts like Sergei Eisenstein and Luis Buñuel, to titans of 20th century cinema like Alfred Hitchcock and Jean-Luc Godard, discover the stories behind the films which incontrovertably changed the course of cinema forever. Into the modern day, this book examines how filmmakers have addressed themes of prejudice and inequality, from the Black Lives Matter movement and Jordan Peele's unmissable Get Out to Bong Joon-ho's cutting study of the lives of the wealthy in Parasite, as well as innovative new cinematic techniques emerging in films like 28 Days Later and Blair Witch Project. In telling the history of cinema through the works that were truly disruptive, and explaining the context in which each was created, FilmQuake demonstrates the heart of modern film, which is to constantly question boundaries and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is ArtQuake, which tells the stories of 50 pivotal works that challenged consensus and broke daring new ground in the world of art, inspiring shock and scandal as they did so, but ultimately cementing themselves as truly great works of modern art.
Price: 12.99 £ | Shipping*: 3.99 £ -
The Cinema of Yorgos Lanthimos : Films, Form, Philosophy
From the critical and commercial fanfare his films generate, it is largely understood that Yorgos Lanthimos is one of the more interesting filmmakers to have emerged out of the new century.A markedly transnational filmmaker, between Dogtooth and The Favourite Lanthimos has managed to traverse the gap between the art-house and mainstream while not once sacrificing his unique style and worldview.His films, while often difficult, showcase his talents as a filmmaker, collaborator, and commentator on the human condition.Accompanied by a trademark acerbic wit, Lanthimos's films take aim at humanity's more contemptible and absurd designs as he explores a thematic preoccupation with, among other things, power, trauma, isolation, sex, and violence. This edited collection covers everything from an early career that was marked by experimentation with a range of different media to international festival hits including Dogtooth, The Lobster, The Killing of a Sacred Deer, and the Academy Award-winning "historical" epic The Favourite, Lanthimos's most successful feature to date.All his work demonstrates a fascinating contravention of aesthetic, thematic, and generic boundaries that forms the basis of some of the analyses to be found here.Featuring a roster of talented scholars, both new and established, The Cinema of Yorgos Lanthimos: Films, Form, Philosophy provides a timely compendium of critical approaches to one of the most distinct voices in contemporary film.
Price: 28.99 £ | Shipping*: 0.00 £ -
Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
Price: 23.99 £ | Shipping*: 3.99 £
-
Are alleles dominant or recessive?
Alleles can be either dominant or recessive. Dominant alleles are expressed when present in an individual, masking the expression of the recessive allele. Recessive alleles are only expressed when an individual has two copies of the recessive allele. The interaction between dominant and recessive alleles determines the phenotype of an organism.
-
What is the difference between an X-linked recessive inheritance and a recessive inheritance?
X-linked recessive inheritance refers to the inheritance of a recessive trait located on the X chromosome. This means that the trait is more commonly expressed in males, as they only have one X chromosome. In contrast, recessive inheritance refers to the inheritance of a trait that requires two copies of the gene to be expressed, one from each parent. This type of inheritance can affect both males and females equally.
-
What is autosomal dominant recessive inheritance?
Autosomal dominant inheritance is a pattern of inheritance where a single copy of a mutated gene from one parent is enough to cause a genetic disorder or trait to be expressed. This means that if a person inherits one copy of the mutated gene, they will have the disorder, even if the other copy of the gene is normal. In contrast, autosomal recessive inheritance requires two copies of the mutated gene, one from each parent, to cause the disorder to be expressed. This means that individuals who inherit only one copy of the mutated gene are carriers of the disorder but do not show symptoms.
-
What is a dominant recessive allele?
A dominant allele is a genetic variant that is expressed when present in a single copy in an individual's genotype. It masks the expression of the corresponding recessive allele. On the other hand, a recessive allele is only expressed when an individual has two copies of it in their genotype. In a heterozygous individual (having one dominant and one recessive allele), the dominant allele will be expressed, while the recessive allele will be masked. This is the basis of Mendelian genetics and inheritance patterns.
Similar search terms for Recessive:
-
Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
Price: 99.00 £ | Shipping*: 0.00 £ -
How Films Tell Stories : The Narratology of Cinema
How Films Tell Stories presents a concise introduction to narrative film theory. Part one discusses the basic elements of story -- plot, character, and fictional world -- as applied to cinema. Part two explores how these elements are communicated, examining time manipulation, perspective, cinematography, editing, and sound. Each chapter concludes with questions encouraging readers to produce their own analysis of the narrative strategies of films.
Price: 16.95 £ | Shipping*: 3.99 £ -
The Mysteries of Cinema : Movies and Imagination
People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur.Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug.The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires.Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play.Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history.Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich.The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations
Price: 25.00 £ | Shipping*: 3.99 £ -
Cinema of the 70s : 101 Iconic Movies
Today, over half a century later, great films are measured by those of the 70s.Has there been a more impactful 10-year period? For the first time, cinema reflected life and society, presenting both on the big screen with a compelling and penetrating truth.Directors became household names, often overnight, and films routinely broke box office records. With censorship relaxed, the subject matter could include alienation, descents into madness, drug addiction, dysfunctional relationships, promiscuity, alcoholism, PTSD, and any big news story of the day.Audiences gladly absorbed this new, shocking reality; in fact, they avoided films that candy-coated the truth. Musicals evolved, westerns all but died for several years, science fiction and fantasy made an incredible resurgence, and horror dominated the box office along with disaster films.But by and large, films about social issues were the best draw.This book celebrates the cinema of the 70s. What a decade!
Price: 20.00 £ | Shipping*: 3.99 £
-
What is a gonosomal recessive inheritance?
Gonosomal recessive inheritance refers to a pattern of inheritance where a genetic trait or disorder is carried on one of the sex chromosomes (X or Y) and is only expressed when both copies of the gene are mutated. In this type of inheritance, the trait is typically passed from carrier mothers to their sons, as sons inherit their X chromosome from their mother. Daughters of carrier mothers have a 50% chance of being carriers themselves. Examples of gonosomal recessive disorders include hemophilia and color blindness.
-
What does dominant recessive 2 mean?
Dominant recessive 2 refers to a specific genetic inheritance pattern in which two different versions of a gene, known as alleles, interact to determine a trait. In this pattern, one allele is dominant and the other is recessive. The dominant allele will always be expressed in the phenotype, or physical appearance, of the organism, while the recessive allele will only be expressed if both alleles are recessive. This means that the dominant allele masks the expression of the recessive allele. This pattern of inheritance is a fundamental concept in genetics and is important in understanding how traits are passed down from parents to offspring.
-
Why is this inheritance autosomal recessive?
This inheritance is autosomal recessive because the trait or disorder is caused by a mutation in a gene located on one of the autosomes (non-sex chromosomes). In an autosomal recessive inheritance pattern, an individual must inherit two copies of the mutated gene, one from each parent, in order to express the trait or disorder. If an individual inherits only one copy of the mutated gene, they are considered a carrier and do not show symptoms of the disorder. This inheritance pattern often results in the trait or disorder skipping generations and appearing in siblings of affected individuals.
-
Is tongue rolling dominant or recessive?
Tongue rolling is considered to be a dominant genetic trait. This means that if a person inherits at least one copy of the dominant allele for tongue rolling, they will be able to roll their tongue. On the other hand, if a person inherits two copies of the recessive allele, they will not be able to roll their tongue. Therefore, the ability to roll the tongue is more likely to be expressed in individuals who have at least one dominant allele for this trait.
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases.