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My Family Cinema MFC Best online streaming platform Newest Movies TV shows
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The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
This book explores the role that talent intermediaries, including talent agents, talent managers and producers, play in packaging, marketing and selling screen media products, services and brands by constructing and positioning their clients and collaborators as indie-auteurs.Exploring several case-studies across a range of screen media during an era of media convergence, including American indie cinema, high-end television, music video, advertising and branded content, the book explores the strategies that talent intermediaries adopt and the industrial, cultural and social connotations and hierarchies that indie-auteurism as a promotional discourse and tool carries and reinforces.As a result, the book stakes out new ground that complicates popular ideas of indie-auteurs as highly autonomous and innovative filmmakers by exploring how this authorial discourse migrates between media and is constructed and reconfigured in relation to changing industrial and cultural contexts.
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FilmQuake : The Most Disruptive Films in Cinema
Discover films that dared to be different, risked reputations and put careers in jeopardy.This is what happens when filmmakers take tradition and rip it up. FilmQuake introduces 50 movies that shook the cinematic world, telling the fascinating stories behind their creation, reception and legacy. From unbelievable developments in technology (Citizen Kane, 1941) to feminist triumphs (Wanda, 1970); films that kickstarted New Queer Cinema (Paris is Burning, 1990) to others that challenged lawmakers (A Short Film About Killing, 1988) – FilmQuake presents the movies that questioned boundaries, challenged the status quo and made shockwaves we are still feeling today. From film's first innovators, people like the Lumière brothers, whose short film of a train arriving was reported to have terrified audiences in 19th century Paris, through iconoclasts like Sergei Eisenstein and Luis Buñuel, to titans of 20th century cinema like Alfred Hitchcock and Jean-Luc Godard, discover the stories behind the films which incontrovertably changed the course of cinema forever. Into the modern day, this book examines how filmmakers have addressed themes of prejudice and inequality, from the Black Lives Matter movement and Jordan Peele's unmissable Get Out to Bong Joon-ho's cutting study of the lives of the wealthy in Parasite, as well as innovative new cinematic techniques emerging in films like 28 Days Later and Blair Witch Project. In telling the history of cinema through the works that were truly disruptive, and explaining the context in which each was created, FilmQuake demonstrates the heart of modern film, which is to constantly question boundaries and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is ArtQuake, which tells the stories of 50 pivotal works that challenged consensus and broke daring new ground in the world of art, inspiring shock and scandal as they did so, but ultimately cementing themselves as truly great works of modern art.
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How do I negate statements?
To negate a statement, you can simply add the word "not" to the verb in the sentence. For example, if the statement is "I am happy," the negation would be "I am not happy." Another way to negate a statement is by using negative words such as "no," "never," "nobody," etc. It is important to pay attention to the context and structure of the sentence to ensure the negation is accurate.
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How can one negate unions?
One way to negate unions is by providing evidence or examples that demonstrate the limitations or drawbacks of unions. This could include instances of corruption within union leadership, cases where unions have hindered productivity or innovation in the workplace, or examples of unions being ineffective in addressing workers' needs. Additionally, highlighting alternative solutions or approaches to addressing workplace issues without the need for unions can also help to negate their perceived value. Ultimately, presenting a well-reasoned argument that challenges the necessity or effectiveness of unions can help to negate their influence.
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Does Ghost Ogre Snow Rabbit negate?
No, Ghost Ogre Snow Rabbit does not negate. When Ghost Ogre Snow Rabbit's effect is activated, it destroys a card on the field, but it does not negate the effects of that card. Negating an effect means preventing it from resolving or having any impact, which is not what Ghost Ogre Snow Rabbit does.
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How do I negate the predicate?
To negate the predicate in a sentence, you can simply add the word "not" after the auxiliary verb or the main verb. For example, in the sentence "She is happy," to negate the predicate, you would say "She is not happy." In the sentence "They have finished their homework," to negate the predicate, you would say "They have not finished their homework." Adding "not" after the verb effectively negates the predicate in the sentence.
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How Films Tell Stories : The Narratology of Cinema
How Films Tell Stories presents a concise introduction to narrative film theory. Part one discusses the basic elements of story -- plot, character, and fictional world -- as applied to cinema. Part two explores how these elements are communicated, examining time manipulation, perspective, cinematography, editing, and sound. Each chapter concludes with questions encouraging readers to produce their own analysis of the narrative strategies of films.
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Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
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The Cinema of Yorgos Lanthimos : Films, Form, Philosophy
From the critical and commercial fanfare his films generate, it is largely understood that Yorgos Lanthimos is one of the more interesting filmmakers to have emerged out of the new century.A markedly transnational filmmaker, between Dogtooth and The Favourite Lanthimos has managed to traverse the gap between the art-house and mainstream while not once sacrificing his unique style and worldview.His films, while often difficult, showcase his talents as a filmmaker, collaborator, and commentator on the human condition.Accompanied by a trademark acerbic wit, Lanthimos's films take aim at humanity's more contemptible and absurd designs as he explores a thematic preoccupation with, among other things, power, trauma, isolation, sex, and violence. This edited collection covers everything from an early career that was marked by experimentation with a range of different media to international festival hits including Dogtooth, The Lobster, The Killing of a Sacred Deer, and the Academy Award-winning "historical" epic The Favourite, Lanthimos's most successful feature to date.All his work demonstrates a fascinating contravention of aesthetic, thematic, and generic boundaries that forms the basis of some of the analyses to be found here.Featuring a roster of talented scholars, both new and established, The Cinema of Yorgos Lanthimos: Films, Form, Philosophy provides a timely compendium of critical approaches to one of the most distinct voices in contemporary film.
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The Mysteries of Cinema : Movies and Imagination
People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur.Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug.The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires.Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play.Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history.Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich.The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations
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How do you negate a boolean in Java?
In Java, you can negate a boolean using the logical NOT operator (!). For example, if you have a boolean variable called isTrue, you can negate its value by using the ! operator like this: ```java boolean isTrue = true; boolean negatedValue = !isTrue; // negatedValue will be false ``` The ! operator flips the value of the boolean variable, so if it was true, it becomes false, and if it was false, it becomes true.
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How do you negate reflexive verbs in French?
To negate reflexive verbs in French, you place the ne...pas around the reflexive pronoun. For example, if you want to say "I don't wash myself" in French, you would say "Je ne me lave pas." The ne...pas surrounds the reflexive pronoun "me" in this case. This structure is used to indicate that the action of the reflexive verb is not happening.
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How can you negate Yu-Gi-Oh effects?
You can negate Yu-Gi-Oh effects using cards that specifically have the ability to negate other card effects. These cards are often referred to as "negation" cards and can be activated in response to an opponent's card effect to prevent it from resolving. Some examples of negation cards include "Solemn Judgment," "Effect Veiler," and "Ash Blossom & Joyous Spring." By using these cards strategically, you can disrupt your opponent's plays and gain an advantage in the game.
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How do I negate positive numbers in Excel?
To negate positive numbers in Excel, you can use the MINUS function or the unary minus operator. For the MINUS function, you would enter "=MINUS(number)" where "number" is the positive number you want to negate. Alternatively, you can simply use the unary minus operator by typing "-number" where "number" is the positive number you want to negate. Both methods will result in the positive number being negated and displayed as a negative number in Excel.
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