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My Family Cinema MFC Best online streaming platform Newest Movies TV shows
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Narrative
Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.
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Good Entertainment : A Deconstruction of the Western Passion Narrative
A philosopher considers entertainment, in all its totalizing variety—infotainment, edutainment, servotainment—and traces the notion through Kant, Zen Buddhism, Heidegger, Kafka, and Rauschenberg. In Good Entertainment, Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy.Entertainment today, in all its totalizing variety, has an apparently infinite capacity for incorporation: infotainment, edutainment, servotainment, confrontainment.Entertainment is held up as a new paradigm, even a new credo for being—and yet, in the West, it has had inescapably negative connotations.Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.The history of the West, Han tells us, is a passion narrative, and passion appears as a killjoy.Achievement is the new formula for passion, and play is subordinated to production, gamified. And yet, he argues, at their core, passion and entertainment are not entirely different.The pure meaninglessness of entertainment is adjacent to the pure meaning of passion.The fool's smile resembles the pain-racked visage of Homo doloris.In Good Entertainment, Han explores this paradox.
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Meta-Narrative in the Movies : Tell Me a Story
Meta-Narrative in the Movies investigates narrative theory through close analysis of films featuring stories and storytelling.The cinematic interpretations investigate the role of story creation in knowing ourselves and planning our future, in structuring social relationships, and in sharpening our experience of popular culture.
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Which movies have a supporting narrative?
Movies that have a supporting narrative typically feature a secondary storyline that complements the main plot. Examples of movies with a supporting narrative include "The Dark Knight," where the Joker's storyline supports Batman's main narrative, and "Pulp Fiction," where various interconnected storylines support the overall plot. These supporting narratives often add depth and complexity to the main story, providing additional context and character development.
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Why are films still overly represented by the male narrative?
Films are still overly represented by the male narrative due to a variety of factors, including historical gender biases in the film industry, the prevalence of male-dominated decision-making positions, and the perpetuation of traditional gender roles in storytelling. Additionally, there is a lack of diversity and inclusion in the film industry, which leads to a narrow range of perspectives being represented on screen. This results in a continuation of the male narrative as the default, while female narratives are often marginalized or stereotyped. Efforts to address this imbalance, such as promoting more diverse voices and perspectives in filmmaking, are crucial in creating a more equitable and representative film industry.
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What is the difference between narrative form and narrative perspective?
Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.
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What are narrative threads?
Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.
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Narrative Ontology
This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality.Their inherent connection has disappeared from our thought.We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous.Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does.Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way.He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation.In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism.It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.
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Narrative Sociology
Narrative Sociology defines classics, identifies exemplars of narrative analysis, and delineates a field in the making.
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Narrative CD
Narrative CD
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Queer Men's Narrative
Queer Men's Narrative demonstrates that at the heart of it, queer men and straight men are very much alike in how they respond to society's pressure and definition of what a man should be.The selected narratives show some queer men, like their straight counterparts, hold on to sexism, toxic masculinity and patriarchy as a way to justify their masculinity within a society that prescribes such a role and expectations.Queer Men's Narrative challenges society at large to re-think its idea of what being a man entails and what this means for society itself and how such concepts limits men and women's freedom to be, to live and to understand each other.
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What is the difference between a frame narrative and an embedded narrative?
A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.
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What is the narrative style and narrative perspective in "Holes" by Louis Sachar?
The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.
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What narrative perspective is this?
This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.
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Which narrative perspective is this?
This is written in the first-person narrative perspective, as the narrator uses pronouns like "I" and "my" to tell the story from their own point of view. This perspective allows the reader to directly experience the thoughts, feelings, and experiences of the narrator, creating a more intimate and personal connection with the story.
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