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The Cinema of Yorgos Lanthimos : Films, Form, Philosophy
From the critical and commercial fanfare his films generate, it is largely understood that Yorgos Lanthimos is one of the more interesting filmmakers to have emerged out of the new century.A markedly transnational filmmaker, between Dogtooth and The Favourite Lanthimos has managed to traverse the gap between the art-house and mainstream while not once sacrificing his unique style and worldview.His films, while often difficult, showcase his talents as a filmmaker, collaborator, and commentator on the human condition.Accompanied by a trademark acerbic wit, Lanthimos's films take aim at humanity's more contemptible and absurd designs as he explores a thematic preoccupation with, among other things, power, trauma, isolation, sex, and violence. This edited collection covers everything from an early career that was marked by experimentation with a range of different media to international festival hits including Dogtooth, The Lobster, The Killing of a Sacred Deer, and the Academy Award-winning "historical" epic The Favourite, Lanthimos's most successful feature to date.All his work demonstrates a fascinating contravention of aesthetic, thematic, and generic boundaries that forms the basis of some of the analyses to be found here.Featuring a roster of talented scholars, both new and established, The Cinema of Yorgos Lanthimos: Films, Form, Philosophy provides a timely compendium of critical approaches to one of the most distinct voices in contemporary film.
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Filmed Thought : Cinema as Reflective Form
With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression.Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form.Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core features and problems of shared human life. Filmed Thought examines questions of morality in Almod var's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All that Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In a Lonely Place and in the Dardennes' oeuvre.In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (paying special attention to the role of cinematic irony) and as intellectual and philosophical achievements.Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them.Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human.
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The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
This book explores the role that talent intermediaries, including talent agents, talent managers and producers, play in packaging, marketing and selling screen media products, services and brands by constructing and positioning their clients and collaborators as indie-auteurs.Exploring several case-studies across a range of screen media during an era of media convergence, including American indie cinema, high-end television, music video, advertising and branded content, the book explores the strategies that talent intermediaries adopt and the industrial, cultural and social connotations and hierarchies that indie-auteurism as a promotional discourse and tool carries and reinforces.As a result, the book stakes out new ground that complicates popular ideas of indie-auteurs as highly autonomous and innovative filmmakers by exploring how this authorial discourse migrates between media and is constructed and reconfigured in relation to changing industrial and cultural contexts.
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Form
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Is streaming movies from the cinema legal or illegal?
Streaming movies from the cinema without proper authorization is illegal. This is because it violates copyright laws and intellectual property rights. The movies shown in cinemas are the property of the filmmakers and production companies, and streaming them without permission is a form of piracy. It is important to respect the rights of content creators and support the legal distribution of movies.
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What is the consent form for the cinema?
The consent form for the cinema is a document that patrons are required to sign before entering the cinema premises. It typically includes terms and conditions related to the cinema's policies, such as not recording the movie, not causing disruptions, and agreeing to follow the cinema's code of conduct. By signing the consent form, patrons are acknowledging their agreement to abide by these rules and regulations while on the cinema premises.
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What is a parental consent form in the cinema?
A parental consent form in the cinema is a document that allows a child to watch a movie that is rated above their age. It is typically required for children under a certain age to watch movies that are rated for older audiences, such as PG-13 or R-rated films. The form is signed by a parent or legal guardian, giving their consent for the child to view the movie despite the age restriction. This form helps to ensure that parents are aware of the content of the movie and are comfortable with their child watching it.
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What is the parental consent form for a cinema visit?
The parental consent form for a cinema visit is a document that allows a child to attend a movie screening at a cinema without their parent or guardian present. It typically includes the child's name, the name of the movie they will be watching, the date and time of the screening, and the parent or guardian's signature granting permission for the child to attend. This form is often required by cinemas as a way to ensure that children have permission to attend a movie without adult supervision.
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FORM
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Musical Form
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Bad Form
Glasgow crime journalist Lassiter back with even more twists , turns and many, many more surprises.Same shady friends on opposite sides of the law. When is a school not a school? When someone asks Lassiter to investigate it. That's when. London and Glasgow gangsters, Murdered schoolteachers.Shady Policemen. Hagan under threat from London hit man? Why has an old enemy of his suddenly appeared back in Glasgow?The same old enemy who was seemingly involved in the murder of someone Hagan knew back in the sixties.Why is a tough housing scheme school so interesting to a top London politician?When Hagan's family is threatened also the uneasy alliance between Glasgow's criminals and the police resumes.Hold on tight. As usual with Lassiter nothing is what it seems. Especially not at the end!
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Free Form
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What is the form of address in movies?
In movies, the form of address can vary depending on the characters and their relationships. Generally, characters may address each other by their first names or by their titles and last names, such as "Mr. Smith" or "Dr. Johnson." The form of address can also be influenced by the time period and setting of the movie, with characters using more formal or informal language based on the context of the scene. Additionally, the form of address can be used to convey power dynamics, intimacy, or respect between characters.
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Why do people use the formal 'Sie' form in German films?
People use the formal 'Sie' form in German films to show respect and politeness towards others, especially when addressing someone they are not familiar with or someone of higher social status. This form of address is commonly used in formal settings, such as business meetings or when speaking to elders. Using the 'Sie' form helps to maintain a level of professionalism and courtesy in communication, which is important in many social interactions depicted in films.
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How can one register the operating form of a streaming business?
To register the operating form of a streaming business, one would typically need to establish a legal entity for the business, such as a sole proprietorship, partnership, limited liability company (LLC), or corporation. This involves choosing a business structure that aligns with the goals and needs of the streaming business, as well as registering the business with the appropriate state and local authorities. Additionally, it may be necessary to obtain any required licenses or permits for operating a streaming business, depending on the location and nature of the business. Consulting with a legal or financial advisor can help ensure that the operating form of the streaming business is properly registered and compliant with relevant regulations.
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How can one register the business form of a streaming business?
To register the business form of a streaming business, one would typically need to choose a business structure such as a sole proprietorship, partnership, limited liability company (LLC), or corporation. The next step would be to register the business with the appropriate state or local government agency, obtain any necessary licenses or permits, and register for taxes. Additionally, it may be beneficial to trademark the business name and logo to protect intellectual property. Consulting with a legal or business advisor can help ensure all necessary steps are taken to properly register the streaming business.
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