Products related to Alleles:
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The Talent Management of Indie Authorship : From American Independent Cinema and Short Films to Pay-Tv and Streaming
This book explores the role that talent intermediaries, including talent agents, talent managers and producers, play in packaging, marketing and selling screen media products, services and brands by constructing and positioning their clients and collaborators as indie-auteurs.Exploring several case-studies across a range of screen media during an era of media convergence, including American indie cinema, high-end television, music video, advertising and branded content, the book explores the strategies that talent intermediaries adopt and the industrial, cultural and social connotations and hierarchies that indie-auteurism as a promotional discourse and tool carries and reinforces.As a result, the book stakes out new ground that complicates popular ideas of indie-auteurs as highly autonomous and innovative filmmakers by exploring how this authorial discourse migrates between media and is constructed and reconfigured in relation to changing industrial and cultural contexts.
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FilmQuake : The Most Disruptive Films in Cinema
Discover films that dared to be different, risked reputations and put careers in jeopardy.This is what happens when filmmakers take tradition and rip it up. FilmQuake introduces 50 movies that shook the cinematic world, telling the fascinating stories behind their creation, reception and legacy. From unbelievable developments in technology (Citizen Kane, 1941) to feminist triumphs (Wanda, 1970); films that kickstarted New Queer Cinema (Paris is Burning, 1990) to others that challenged lawmakers (A Short Film About Killing, 1988) – FilmQuake presents the movies that questioned boundaries, challenged the status quo and made shockwaves we are still feeling today. From film's first innovators, people like the Lumière brothers, whose short film of a train arriving was reported to have terrified audiences in 19th century Paris, through iconoclasts like Sergei Eisenstein and Luis Buñuel, to titans of 20th century cinema like Alfred Hitchcock and Jean-Luc Godard, discover the stories behind the films which incontrovertably changed the course of cinema forever. Into the modern day, this book examines how filmmakers have addressed themes of prejudice and inequality, from the Black Lives Matter movement and Jordan Peele's unmissable Get Out to Bong Joon-ho's cutting study of the lives of the wealthy in Parasite, as well as innovative new cinematic techniques emerging in films like 28 Days Later and Blair Witch Project. In telling the history of cinema through the works that were truly disruptive, and explaining the context in which each was created, FilmQuake demonstrates the heart of modern film, which is to constantly question boundaries and challenge expectation. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available is ArtQuake, which tells the stories of 50 pivotal works that challenged consensus and broke daring new ground in the world of art, inspiring shock and scandal as they did so, but ultimately cementing themselves as truly great works of modern art.
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The Cinema of Yorgos Lanthimos : Films, Form, Philosophy
From the critical and commercial fanfare his films generate, it is largely understood that Yorgos Lanthimos is one of the more interesting filmmakers to have emerged out of the new century.A markedly transnational filmmaker, between Dogtooth and The Favourite Lanthimos has managed to traverse the gap between the art-house and mainstream while not once sacrificing his unique style and worldview.His films, while often difficult, showcase his talents as a filmmaker, collaborator, and commentator on the human condition.Accompanied by a trademark acerbic wit, Lanthimos's films take aim at humanity's more contemptible and absurd designs as he explores a thematic preoccupation with, among other things, power, trauma, isolation, sex, and violence. This edited collection covers everything from an early career that was marked by experimentation with a range of different media to international festival hits including Dogtooth, The Lobster, The Killing of a Sacred Deer, and the Academy Award-winning "historical" epic The Favourite, Lanthimos's most successful feature to date.All his work demonstrates a fascinating contravention of aesthetic, thematic, and generic boundaries that forms the basis of some of the analyses to be found here.Featuring a roster of talented scholars, both new and established, The Cinema of Yorgos Lanthimos: Films, Form, Philosophy provides a timely compendium of critical approaches to one of the most distinct voices in contemporary film.
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Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
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Are alleles dominant or recessive?
Alleles can be either dominant or recessive. Dominant alleles are expressed when present in an individual, masking the expression of the recessive allele. Recessive alleles are only expressed when an individual has two copies of the recessive allele. The interaction between dominant and recessive alleles determines the phenotype of an organism.
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What is the difference between genes and alleles?
Genes are segments of DNA that contain the instructions for making specific proteins, while alleles are different versions of the same gene. Alleles can result in different traits or characteristics, such as eye color or blood type. For example, the gene for eye color may have alleles for blue, brown, or green eyes. Genes are the overall instructions for a specific trait, while alleles are the specific variations of those instructions.
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Is this statement about genetics, alleles, and chromosomes correct?
Without knowing the specific statement, it is difficult to determine if it is correct. However, genetics is the study of heredity and variation in living organisms, alleles are different forms of a gene, and chromosomes are structures that contain genetic information. These three components are interconnected in the process of inheritance and play a crucial role in determining an organism's traits.
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Does this statement about genetics, alleles, and chromosomes hold true?
Without the specific statement provided, it is difficult to determine if it holds true. However, in general, genetics refers to the study of genes and heredity, alleles are different forms of a gene, and chromosomes are structures that contain genetic material. These concepts are fundamental to understanding inheritance and the transmission of genetic traits from one generation to the next. If the statement aligns with these basic principles, then it likely holds true.
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Films That Spill : Beyond the Cinema of Transgression
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture.Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts.This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions.It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
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How Films Tell Stories : The Narratology of Cinema
How Films Tell Stories presents a concise introduction to narrative film theory. Part one discusses the basic elements of story -- plot, character, and fictional world -- as applied to cinema. Part two explores how these elements are communicated, examining time manipulation, perspective, cinematography, editing, and sound. Each chapter concludes with questions encouraging readers to produce their own analysis of the narrative strategies of films.
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The Mysteries of Cinema : Movies and Imagination
People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur.Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug.The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires.Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play.Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history.Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich.The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations
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Cinema of the 70s : 101 Iconic Movies
Today, over half a century later, great films are measured by those of the 70s.Has there been a more impactful 10-year period? For the first time, cinema reflected life and society, presenting both on the big screen with a compelling and penetrating truth.Directors became household names, often overnight, and films routinely broke box office records. With censorship relaxed, the subject matter could include alienation, descents into madness, drug addiction, dysfunctional relationships, promiscuity, alcoholism, PTSD, and any big news story of the day.Audiences gladly absorbed this new, shocking reality; in fact, they avoided films that candy-coated the truth. Musicals evolved, westerns all but died for several years, science fiction and fantasy made an incredible resurgence, and horror dominated the box office along with disaster films.But by and large, films about social issues were the best draw.This book celebrates the cinema of the 70s. What a decade!
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Can an inheritance simultaneously have dominant, recessive, and intermediate alleles?
No, an inheritance cannot simultaneously have dominant, recessive, and intermediate alleles. Inheritance follows Mendelian genetics, where an individual inherits one allele from each parent for a specific trait. Dominant alleles will always mask recessive alleles, and intermediate alleles will express a trait that is a blend of the two alleles. Therefore, an inheritance cannot have all three types of alleles for the same trait simultaneously.
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Can an inheritance simultaneously have dominant, recessive, and intermediate behaving alleles?
Yes, an inheritance can simultaneously have dominant, recessive, and intermediate behaving alleles. This can occur when an individual inherits different alleles for a particular trait from each parent. In this case, the dominant allele will typically mask the effects of the recessive allele, while the intermediate allele will have a partial effect on the phenotype. The resulting phenotype will be a combination of the effects of all three alleles.
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How many alleles do you have per chromosome for a specific trait?
You have two alleles per chromosome for a specific trait. One allele is inherited from your mother and the other from your father. These two alleles may be the same (homozygous) or different (heterozygous), and they determine your genetic makeup for that particular trait. This combination of alleles contributes to the variation in traits among individuals.
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Is streaming movies from the cinema legal or illegal?
Streaming movies from the cinema without proper authorization is illegal. This is because it violates copyright laws and intellectual property rights. The movies shown in cinemas are the property of the filmmakers and production companies, and streaming them without permission is a form of piracy. It is important to respect the rights of content creators and support the legal distribution of movies.
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